Hilary Sallick
From Love Is A Shore
The bay at high tide
calls us
brimming
a colorless sheen
in its long
expanses
and closer darker
of traveling
undulations
we swim in it
paint it breast-stroke
brush stroke heartbeat
Sadness is intrinsic
So is joy
Silence is full of dreams
and also reading is in the silence
We watched the moonrise last night from the bridge
A flock of geese carved a path down the river
Then nine turkeys in two trees roosted
Now chickadees are waking
The turkeys have woken and come down
from their trees
The mind lacks self-awareness, or else it has too much
In my dream the country was at war
and the children imprisoned
I was realizing it could go on for years
The machines are starting up
The mind seeks truth despite itself
and the surrounding forces
A truck is beeping incessantly
Its long arm reaches, lifting the driver above the house
The driver steers the machine to the chosen position
He has something to do up there
I take these notes without question
and the words are more or less true
He buckles the harness, steps out of the cage
to perch on the roof
He does something of necessity
and the machine waits in silence
The anxiety of a living thing grows
It’s about love is what I know
To push away the dream does not diminish its power
September
Later we went to the beach
almost sunset the Sound
dark and lush and foamy
Da and I walked step by step
through the splash
cold wind blowing then
into the water’s shelter we swam
the waves sloshing over us
Mom Verna and Abe stood shivering
on the shore
and those few who’d come for the day
were packing up to go home
A flock of gulls perched in rows
facing the water intent as if receiving
solemn news
Then we came out
dripping and laughing
and wrapped towels
around ourselves
From Asking the Form
Milkweed
It was a small velvet box.
It was a dry brown pod.
It was something tightly sealed,
rattling its riches
or silent with fullness.
I carried it home
to the shelf, forgotten—
until it snapped open,
until it breathed out,
trailing nothing,
completely unattached,
the seeds of it.
The Meeting
There are things we could talk about,
large, interesting, amazing things,
questions that concern both of us.
Facing each other, we smile,
we listen, we speak,
politely.
There are things we could talk about,
protected, treasured,
within both of us.
We could turn in that direction.
We could try to put into words
the flame, the desire, the fear.
Maybe we will.
Perhaps that is why
we meet here, hopeful, polite,
facing each other,
though I sit alone
in a kind of wretchedness
I can’t tell you about.
There are things we could talk about,
questions could rise glowing
between us.
What stops us?
Why do I sit here, alone,
silent and trying
to speak to you?
“The Meeting” first appeared in Constellations.
After Painting
Mist, scratches of yellow in the green,
branches of mauve, white
undersides of leaves all along
the south-bound highway—
for we painted this morning.
The island rose before us,
spruce and red pine. Bright squirts of paint
beside two cups of coffee. Our brushes
with orange handles swished color quickly
over empty space.
Some poems in online journals:
Swimming, The Bookends Review
Raptor, Exposition Review
City Garden, Hawk and Whippoorwill
Perennial, Inflectionist Review #7, p. 71
Nine Walking Dreams, Modern Poetry Quarterly Review
Two Poems, The Poetry Porch 2020